#Brian nolan capitol records tv#

He would turn to you and say 'go like this,' then he'd do the part for you. Nick' was amazing to watch the man's mind work, to know he literally could think in four-part harmony and even tell you which part is yours. 'Riding around in the car with Brian and having him come up with things like 'Little St. 'It's unfortunate Capitol couldn't have issued it sooner because in 1964 nearly all of Capitol's promotional potential was understandably behind the Beatles.'ĭave concludes with one of his favorite memories of those halcyon days: That was just before we were swept away by the British Invasion.

#Brian nolan capitol records tv#

'The record came out in January 1964 (Capitol 5102), to only a modicum of attention on radio and TV in Southern California. Like their records, it was on Capitol, and the label says 'Pamela Jean' was written, arranged and produced by Brian Wilson. Brian sang the lead, so it sounded just like many Beach Boys songs that featured him. 'It's easy to understand why so many thought this was just another record by the Beach Boys using a different name. 'The Survivors were Brian, Bob, Rich and me. 'At the time, Brian was enamored with Dion's style, and his hits 'Come Go With Me' and 'Donna the Prima Donna.' With Dion's sound in mind, he wrote 'Pamela Jean' for the four of us. 'Then Brian wrote two songs especially for us, 'Wich Stand' - a real sandwich joint that we liked - and 'A Joy Ride Cruise.' We recorded 'Wich Stand' at Goldstar, with the legendary Hal Blaine on drums, but never went back to record 'A Joy Ride Cruise.' Those three girls previously recorded Brian's 'Surfin' Down the Swanee River' (Capitol 4952) as themselves. Brian also used the Honeys as cheerleaders on that track. 'On one session at Goldstar, Bob, Rich and I provided hand claps and other background sounds on 'Be True to Your School' (Capitol 5069), a Beach Boys hit. 'We spent most the summer of '63 riding around with Brian in his car, and that occasionally meant going with the Beach Boys to Goldstar and Western recording studios. I think I was 19 and Brian was 21 at the time. 'A few days later I met Brian's roommate, Bob Norberg, and then Rich Peterson, another of Brian's friends. 'Duh? It was 1963, so of course I said 'YES!' 'During a break he said, 'You guys are really good. Do you mind if I come in and listen to you guys for a while?' I invited him in, and we continued playing. 'One day I had some musician friends over for a jam session, and a guy knocked on my door and said 'Hi, I live next door. 'In early 1963 I moved into an apartment in the South Bay area of Los Angeles. I was fortunate to locate and speak with Survivor David Nolan, and what follows is his account of a friendship with Brian Wilson, and how 'Pamela Jean' came to be: Is 'Pamela Jean' really by the Beach Boys?ĭear Daniel: 'Pamela Jean' is really by a Beach Boy, but just one.īrian Wilson wrote the song and sings the lead, but no other Beach Boys are on this doo-wopish, Dion-inspired track. It does sound like them, but now I've seen some YouTube postings that challenge those sources.

'Producing game-changing opportunities that align with the creative visions of our artists is at the core of our department, and we will do that better than any of our competitors.Dear Jerry: I know that information on album liner notes and publications can be wrong.įor example, the Beach Boys were mostly on Capitol Records, yet I have several Capitol LPs that clearly state that the single of 'Pamela Jean' was by the Beach Boys, even though credited to 'The Survivors.'Įven the comprehensive book, 'Surf's Up! - The Beach Boys on Record 1961-1981,' agrees. 'I want to thank STEVE BARNETT, MICHELLE JUBELIRER and ASHLEY NEWTON for the incredible opportunity to lead SEVENTEENFIFTY,' NOLAN said. We are thrilled that BRIAN has joined the CMG family.'

'He knows the intricacies of artist development first-hand, and is so well-suited to integrating the role of SEVENTEENFIFTY into our overall marketing efforts to build and enhance careers in ways that are consistent with the creative paths and images of our artists. 'BRIAN has such a broad-base of experience within the music industry, and he has clearly excelled in every position he's held,' COO MICHELLE JUBELIRER said. Previously COLUMBIA RECORDS VP/International Marketing, NOLAN will lead the seventeenfifty team and expand its role in generating and maximizing revenue streams while playing a significant role in breaking new and developing artists and enhancing CMG's marketing efforts on behalf of its established stars. CAPITOL MUSIC GROUP has appointed BRIAN NOLAN SVP of SEVENTEENFIFTY, its in-house division focused on brand partnerships and sync licensing.